Nic Smith, also known as Soyboy, is a tattoo artist and illustrator based in Melbourne, Australia. His creative practice draws from a rich blend of visual references, including Biblical iconography, Greco-Roman mythology and sculpture, the natural world, and classical art movements. Working somewhere between illustrative fineline, blackwork, and stippled realism, his tattoos balance technical precision with expressive detail and symbolic depth.

Kacper Giłka is a Polish illustrator whose work has been commissioned by clients worldwide. His illustrations have appeared in projects for bands such as Whitechapel, Epica, Caliban, Sylosis and Matt Heafy of Trivium, as well as for the MetalDays Festival and brands including Soundgrowler Brewing, The Bookish Box, and Grains of Wrath. His artwork has been featured in books published by Heavy Music Artwork and Out of Step Books Press. His artwork has appeared on a wide range of formats, including book covers, vinyl, game art, posters, t-shirts, beer cans, and digital media. A proud husband and father, Kacper continues to grow an expansive portfolio, offering both custom commissions and pre-made illustrations available for print and licensing. 

Tomo77 is a Costa Rica-based artist whose bold, graphic work explores human behaviour, capitalism, and pop culture, shaped by his immigrant experience. With over 30 years in design and art, his work has appeared in exhibitions at La Luz de Jesus, LA, Saatchi Gallery 1st London, Stolenspace, One Grand Gallery PDX, Mortal Machine NOLA, Mirus SF, Palazzo di Espozisioni di Roma, and the Museum of Contemporary Art and Design, Costa Rica. It has been featured in Hi-Fructose and Juxtapoz. He's collaborated with Devo, Pearl Jam, Mastodon, Mike Doughty, Alien Ant Farm and Shepard Fairey, bringing a distinct visual voice to every project. His pandemic-era book Pandemonium acts as a graphic journal of life in crisis, urgent, raw, and reflective. Tomo77's work confronts the present moment with clarity and force, giving form to the stories that need telling.

James Jirat Patradoon's work draws from a rich mix of cultural references, from 80s aesthetics and 90s fashion to comic books, tattoo design, and the occult. James was an artist and commercial illustrator for nearly two decades, conjuring visions of a surreal, neon gothic paradise. Working across animated GIFs, murals, and paintings, his designs fused Japanese anime with pop-horror, channelling a bold, high-impact, captivating visual language. He has exhibited in Australia, the USA, and Asia and has collaborated with clients including Microsoft, Coca-Cola, Apple, UFC, Billie Eilish, and HBO. In 2020, James began tattooing under the alias Noirdealer, creating blackwork designs influenced by horror, abstract metal typography, and his signature 80s-inspired style. He runs a private tattoo studio in Sydney, Australia. Join Vault Editions in conversation with James as we learn more about his creative practice, process and plans for the future - let's go!

Welcome to another instalment of the Vault Editions Artist Interview series, where we take a deep dive into the creative process of some of our favourite artists. Angryblue is the creative pseudonym of Justin Kamerer, an illustrator and designer based in Louisville, KY, USA. His varied creative practice includes branding, merchandise design, rock poster art, album artwork, mural installations, book publishing and product design. His clients include prominent names in the music, technology, media, and entertainment industries. In addition to his art and design practice, he co-founded a printing press, Crackhead Press, and makes music under the name Navernoe.  Justin sat down with Vault Editions to discuss his creative practice, influences and plans for the future. Let's go!

Italian printmaker Filippo Morghen created a series of surreal engravings depicting a fictional journey to the moon, blending scientific curiosity with whimsical fantasy. His prints show pumpkin houses in trees, giant butterflies, and strange machines. At Vault Editions, we’re drawn to forgotten works like Morghen’s that inspire imagination and creative reinterpretation. This article explores his creative vision and why it still resonates with artists today. Let's go!

Welcome to a new section of The Vault Zine, where we'll be interviewing some of our favourite contemporary artists about their creative process and artistic journey. We love researching and sharing articles about art history, and this will still be a significant part of The Vault Zine. However, in a time when the process of creating both commercial and fine art is at risk of being reduced to that of a prompt, both Kale and I, as directors of Vault Editions, think it's important to take time to platform those making art by hand. It is our aim through these interviews to not only provide inspiration but to highlight the struggles, failures and successes of the human creative process and to celebrate the hard-won incremental gains that only come from showing up for your art every day.

The Renaissance was a period in European history spanning approximately the 14th to 17th centuries. It was a cultural awakening defined by a renewed interest in the art, philosophy, and aesthetics of Classical antiquity. Sparked by the rediscovery of ancient Greek and Roman texts, sculptures, and architectural ruins, artists and designers of the period were inspired by the culture of Ancient Greece and Rome.

In The Flowers Personified (Les Fleurs Animées, 1847), a garden blooms with far more than petals and leaves. This illustrated work combines the imaginative drawings of J. J. Grandville and the playful text of Taxile Delord. Flowers take on human form with personalities, moods, and moral inclinations. What begins as a charming floral fantasy unfolds into a subtle critique of 19th-century ideals around femininity, beauty, and social behaviour.